Citas de La ladrona de libros
I wanted to tell the book thief many things, about beauty and brutality. But what could I tell her about those things that she didn't already know? I wanted to explain that I am constantly overestimating and underestimating the human race-that rarely do I ever simply estimate it. I wanted to ask her how the same thing could be so ugly and so glorious, and its words and stories so damning and brilliant.
A DEFINITION NOT FOUND
IN THE DICTIONARY
Not leaving: an act of trust and love,
often deciphered by children.
A small but noteworthy note. I've seen so many young men over the years who think they're running at other young men. They are not. They are running at me.
Usually we walk around constantly believing ourselves. "I'm okay" we say. "I'm alright". But sometimes the truth arrives on you and you can't get it off. That's when you realize that sometimes it isn't even an answer--it's a question. Even now, I wonder how much of my life is convinced.
He was the crazy one who had painted himself black and defeated the world.
She was the book thief without the words.
Trust me, though, the words were on their way, and when they arrived, Liesel would hold them in her hands like the clouds, and she would wring them out like rain.
If only she could be so oblivious again, to feel such love without knowing it, mistaking it for laughter.
His soul sat up. It met me. Those kinds of souls always do - the best ones. The ones who rise up and say "I know who you are and I am ready. Not that I want to go, of course, but I will come." Those souls are always light because more of them have been put out. More of them have already found their way to other places.
How about a kiss, Saumensch?"
He stood waist-deep in the water for a few moments longer before climbing out and handing her the book. His pants clung to him, and he did not stop walking. In truth, I think he was afraid. Rudy Steiner was scared of the book thief's kiss. He must have longed for it so much. He must have loved her so incredibly hard. So hard that he would never ask for her lips again and would go to his grave without them.
I carried [Rudy] softly through the broken street...with him I tried a little harder [at comforting]. I watched the contents of his soul for a moment and saw a black-painted boy calling the name Jesse Owens as he ran through an imaginary tape. I saw him hip-deep in some icy water, chasing a book, and I saw a boy lying in bed, imagining how a kiss would taste from his glorious next-door neighbor. He does something to me, that boy. Every time. It's his only detriment. He steps on my heart. He makes me cry.
The consequence of this is that I'm always finding humans at their best and worst. I see their ugly and their beauty, and I wonder how the same thing can be both. (Death).
Somewhere, far down, there was an itch in his heart, but he made it a point not to scratch it. He was afraid of what might come leaking out.
People observe the colors of a day only at its beginnings and ends, but to me it's quite clear that a day merges through a multitude of shades and intonations with each passing moment. A single hour can consist of thousands of different colors. Waxy yellows, cloud-spot blues. Murky darkness. In my line of work, I make it a point to notice them.
Together, they would watch everything that was so carefully planned collapse, and they would smile at the beauty of destruction.
I guess humans like to watch a little destruction. Sand castles, houses of cards, that's where they begin. Their great skills is their capacity to escalate.
Often I wish this would all be over, Liesel, but then somehow you do something like walk down the basement steps with a snowman in your hands.
I wanted to explain that I am constantly overestimating and underestimating the human race - that rarely do I even simply estimate it. I wanted to ask her how the same thing could be so ugly and so glorious, and its words and stories so damning and brilliant...I AM HAUNTED BY HUMANS.
It’s a small story really, about, among other things:
* A girl
* Some words
* An accordionist
* Some fanatical Germans
* A Jewish fist fighter
* And quite a lot of thievery.
She wanted none of those days to end, and it was always with disappointment that she watched the darkness stride forward.
On many counts, taking a boy like Rudy Steiner was robbery--so much life, so much to live for--yet somehow, I'm certain he would have loved to see the frightening rubble and the swelling of the sky on the night he passed away. He'd have cried and turned and smiled if only he could have seen the book thief on her hands and knees, next to his decimated body. He'd have been glad to witness her kissing his dusty, bomb-hit lips.
Yes, I know it.
In the darkness of my dark-beating heart, I know. He'd have loved it all right.
You see?
Even death has a heart.
A SMALL PIECE OF TRUTH
I do not carry a sickle or scythe.
I only wear a hooded black robe when it's cold.
And I don't have those skull-like facial features you seem to enjoy pinning on me from a distance. You want to know what I truly look like? I'll help you out. Find yourself a mirror while I continue.
Of course, I'm being rude. I'm spoiling the ending, not only of the entire book, but of this particular piece of it. I have given you two events in advance, because I don't have much interest in building mystery. Mystery bores me. It chores me. I know what happens and so do you. It's the machinations that wheel us there that aggravate, perplex, interest, and astound me. There are many things to think of. There is much story.
The words were on their way, and when they arrived, she would hold them in her hands like the clouds, and she would wring them out like the rain.
I like that every page in every book can have a gem on it. It's probably what I love most about writing—that words can be used in a way that's like a child playing in a sandpit, rearranging things, swapping them around. They're the best moments in a day of writing—when an image appears that you didn't know would be there when you started work in the morning.
...one opportunity leads directly to another, just as risk leads to more risk, life to more life, and death to more death.
A human doesn't have a heart like mine. The human heart is a line, whereas my own is a circle, and I have the endless ability to be in the right place at the right time. The consequence of this is that I'm always finding humans at their best and worst. I see their ugly and their beauty, and I wonder how the same thing can be both. Still, they have one thing I envy. Humans, if nothing else, have the good sense to die.
I am constantly overestimating and underestimating the human race - that rarely do I ever simply estimate it.
She said it out loud, the words distributed into a room that was full of cold air and books. Books everywhere! Each wall was armed with overcrowded yet immaculate shelving. It was barely possible to see paintwork. There were all different styles and sizes of lettering on the spines of the black, the red, the gray, the every-colored books. It was one of the most beautiful things Liesel Meminger had ever seen.
With wonder, she smiled.
That such a room existed!.
In years to come, he would be a giver of bread, not a stealer - proof again of the contradictory human being. So much good, so much evil. Just add water.
Please believe me when I tell you that I picked up each soul that day as if it were newly born. I even kissed a few weary, poisoned cheeks. I listened to their last, gasping cries. Their vanishing words. I watched their love visions and freed them from their fear.
I..." He struggled to answer. "When everything was quiet, I went up to the corridor and the curtain in the livingroom was open just a crack... I could see outside. I watched, only for a few seconds." He had not seen the outside world for twenty-two months.
There was no anger or reproach.
It was Papa who spoke.
How did it look?"
Max lifted his head, with great sorrow and great astonishment. "There were stars," he said. "They burned by eyes.
Please, trust me, I most definitely can be cheerful. I can be amiable. Agreeable. Affable. And that's only the A's. Just don't ask me to be nice. Nice has nothing to do with me.
Five hundred souls.
I carried them in my fingers, like suitcases. Or I'd throw them over my shoulder. It was only the the children I carried in my arms.
When she came to write her story, she would wonder when the books and the words started to mean not just something, but everything.
No matter how many times she was told that she was loved, there was no recognition that the proof was in the abandonment.
You cannot be afraid, Read the book. Smile at it. It's a great book-the greatest book you've ever read.
It's a lot easier, she realized, to be on the verge of something than to actually be it. This would still take time.
for some reason, dying men always ask the question they know the answer to. perhaps it's so they can die being right.
They say that war is death's best friend, but I must offer you a different point of view on that one. To me, war is like the new boss who expects the impossible. He stands over your shoulder repeating one thin, incessantly: 'Get it done, get it done.' So you work harder. You get the job done. The boss, however, does not thank you. He asks for more.
I could introduce myself properly, but it's not really necessary. You will know me well enough and soon enough, depending on a diverse range of variables. It suffices to say that at some point in time, I will be standing over you, as genially as possible. Your soul will be in my arms. A color will be perched on my shoulder. I will carry you gently away.
There were people everywhere on the city street, but the stranger could not have been more alone if it were empty.
Make no mistake, the woman had a heart. She had a bigger one that people would think. There was a lot in it, stored up, high in miles of hidden shelving. Remember that she was the woman with the instrument strapped to her body in the long, moon-slit night.
He was waving. "Saukerl," she laughed, and as she held up her hand, she knew completely that he was simultaneously calling her a Saumensch. I think that's as close to love as eleven-year-olds can get.
The best word shakers were the ones who understood the true power of words. They were the ones who could climb the highest. One such word shaker was a small, skinny girl. She was renowned as the best word shaker of her region because she knew how powerless a person could be WITHOUT words.
Finally, in October 1945, a man with swampy eyes, feathers of hair, and a clean-shaven face walked into the shop. He approached the counter. "Is there someone here by the name of Leisel Meminger?"
"Yes, she's in the back," said Alex. He was hopeful, but he wanted to be sure. "May I ask who is calling on her?"
Leisel came out.
They hugged and cried and fell to the floor.
There was also a rumor that later in the day, she walked fully clothed into the Amper River and said something very strange.
Something about a kiss.
Something about a Saumensch.
How many times did she have to say goodbye?.